Friday, 25 September 2015

South African designer Kiara Gounder


Kiara Gounder is a student from the Durban University of Technology with a degree in fashion. Kiara Gounder was inspired by the Dutch designer Iris van Herpen’s fall couture collection featuring 3d printing. Gounder explored the worlds of 3D printing by developing a capsule range of garments that showcases the potential of 3D printing in fashion and jewellery. Gounder uses nature in a digital form to explore the concept of symmetry in nature. The silhouette and design of each piece combines various organic and structures elements that can be found in a natural environment. Inspiration is drawn from microscopic images of fossils, plant cells and insect cells for the detailed patterning and line work (designindaba.com). 
  

Figure 1 Kiara Gounder, Neck Piece, 2015, 3D Print, DUT.

Figure 2 Kiara Gounder, Neck Piece, 2015, 3D Print, DUT.

Wednesday, 16 September 2015

Support Material

After having sent out designs to a 3D printing company, they give you the option to remove the support material in house or one can do it themselves. As an exploration of understanding both the 3D print and the support material it was decided that I myself would remove the support materials from these pieces.
 
 
 
Above is what the pieces look like with the support material, the support material is attached in layers and covers the entire piece. the support is there to help build up the base material in which the piece is manufactures as the base material cannot float in air the support material acts as a support to the base.
 
 
Below are the designs for a pair of earrings, the before and after the support material is removed. these earrings are then later added a hook in silver.
 
 

 
 
The cleaning process of the support material varies according to design. if a design has a larger or thicker frame work it is likely to go through a high pressure spray to remove the support material. however with finer details it is best to do by hand to reduce any chance of breaking.
 

 
 
The process by hand requires some luke warm water and a tool that has a small tip that can scrape out the support material. As seen above AA tweezers were used, one can also use a needle.
 
 
 
 
Above are the pieces with majority of the support material removed, at this point a baby toothbrush with some water is used to remove any finer support material, keeping in mind to still be cautious with the pieces as it is delicate.
 
 

Monday, 14 September 2015

Geraldine Fenn


Geraldine Fenn is a South African Jewellery designer balancing creative innovation with the demands of running a business. Geraldine Fenn originally dreamed of pursuing a dream in archaeology yet instead went out on a whim and became a jewellery designer. Geraldine Fenn studied at the Durban University of Technology, Fenn then set up shop in the late 1990’s and has been making one-of-a-kind pieces ever since. Fenn, along with her husband (Eric Loubser, a fellow jewellery designer) are active in the creative scene. Their shop stocks quirky, hand crafted jewellery designed by some of the country’s most original designers. Fenn helped curate the jewellery section of the Design Indaba Expo for many years and understands the balance of creative innovation and the demands of running her business. Fenn, a designer on the other end of the spectrum has conflicted views about 3D printing in the jewellery industry. Fenn is not directly influenced by what happens in the broader industry as her work is contemporary, handmade, bespoke pieces, rather than mass produced commercial stuff. Fenn recognises that the industry is rapidly moving towards computer-aided design and 3D printing, and sees this as a negative thing, as the idea of old-school hand working skills are being lost. Knowing the possibilities of what 3D printing offers Fenn remains convinced that the pieces that are produced through 3D printing machines “churn out very boring, repetitive, anonymous jewellery”. Fenn remains positive because although these traditional methods of manufacturing might get ‘lost’ people will still value a handmade, unique piece more (designidaba.com).